At the beginning of October, my international exhibition season continued in Florence. Two of my paintings were presented at Galleria Mentana as part of the exhibition EXPERIMENTS, which also marked the first stop of a multi-city international exhibition series.

It was a special feeling to arrive in Florence this time not only as a visitor, but also as an exhibiting artist. Florence has always been a city strongly associated with art for me, so seeing my own works displayed on the walls of a local gallery made this occasion especially meaningful.

I was also able to attend the opening in person, which gave me the opportunity to see the full exhibition, meet other artists, speak with the organisers, and, of course, experience how my paintings work within a new international setting.

Every exhibition is a slightly different experience for me. It is not only about a painting physically entering a gallery space, but also about how it begins to exist within a completely new environment and in front of a new audience. I always find it interesting to see how the presence of a work changes depending on the space around it, the artworks displayed beside it, and the people who encounter it.

Over the past months, I have been taking part in more and more international exhibitions, and one of my main goals is for my work to be presented not only in Hungary, but in an increasing number of international locations as well. Florence was an important milestone in this process.

The works presented at Galleria Mentana continue the visual language that has become increasingly central to my painting: the relationship between fractures, layers, gold surfaces and the human stories behind them.

A recurring theme in my work is the idea that damage and fractures do not necessarily need to be hidden. Very often, these are the points that give something a new meaning. For me, gold is therefore not simply a decorative element, but also a way of highlighting and reinterpreting these fractures.

This concept is closely connected to the artistic direction I currently describe as Contemporary Gold Expression – From fracture to power.

The Florence exhibition is not an isolated event, but the beginning of a longer international series.

The next stop will be Cannes, where the exhibition series continues on October 18, followed by a return to Florence in December, and then London.

It is exciting to see how the same works can appear in completely different cities and cultural environments. After the historic artistic atmosphere of Florence, Cannes, followed by Florence once again and finally London, will each place the paintings into a very different context.

Over the past months, a number of international opportunities have come my way, and I am working increasingly consciously to make sure that my paintings reach more and more places abroad. Naturally, a process like this involves a great deal of organisation, shipping, coordination and behind-the-scenes work, but when I finally stand in a gallery in front of my own paintings, the entire process gains meaning.

Florence was another important step on this path.

I am happy to see my paintings being presented in more and more international locations, and also to have the opportunity to personally experience at least part of this journey.

Next stop: Cannes, October 18. 🇫🇷

This will be followed by Florence again in December, and then London.

The story continues.